![]() ![]() After the new slowed down clip gets extended in the timeline, I can see how much of the shot I can fit before the next beat or two. I use the Variable Speed Ramping tool here and have a shortcut to automatically convert 60 fps clips to 24 fps and get that slow motion. ![]() For projects where I’m unsure of how the final edit will look, I shoot 60 fps to give me the option of slow motion and more range with speed ramping. Slow down clips to see if I want to use slow motion.Sorting through my “Favorite” clips and and dropping it into my Primary timeline.It’s basically like listening to a song and tapping along to the major beats. I like to work with the beats and lyrics in the song, so I’ll go through and do a rough marking of where the major beats fall, using the M shortcut. It depends on whether I want to front load the time spent getting “acquainted” with my available footage. I’ll do this if there’s a lot of footage to sort through and the clips are longer in length, but sometimes I also just go through the clips and favorite the entire clip and skim through them later when I’m editing. Skim through my clips, select my rough In and Out points and mark that segment as “Favorite”.You also get 2 extra free months when signing up with my referral link. They have a great selection and a reasonable annual subscription. I use Artlist to license royalty free music for most of my projects. My workflow for the film looked like this. When the configuration was done, I began working on a film about my road trip from San Francisco to Vancouver called “Coast.” It would incorporate most of the general techniques I use in my travel films like slow motion, variable speed ramping, beat synchronization, and color grading. Shift + B – Set Variable Speed Ramp (Used to create variable speed in a clip without blading)ĬMD + S – Auto Retime Clip (Used to automatically retime 60 fps to 24 fps timeline)Īlt + CMD + Up – Lift From Primary TimelineĬMD + Shift + CTRL + 8 – Reset Audio Volume My Start To Finish Workflow And yet, it was possible, after a few trial and error reconfigurations. It’s a long list and despite the 14 wheels, dials, knobs, and buttons on the TourBox, I had my reservations that I could configure them all to the device in an intuitive way. Can You Edit A Film Without A Keyboard?īelow is a list of basically ALL the keyboard shortcuts I use in FCP X and the rough order of how often I use the them. While I edit mostly in FCP X, you can do the same in Adobe Premiere AND WITH almost any other program on your computer. ![]() I’ll take you through my process and why I see the TourBox as an essential time-saving tool that will sit on my desk at home and taken with me when I’m editing on the road. The answer to both turned out to be a resounding YES, but with a couple of obvious and logical caveats – you still need a keyboard to type words and numbers into a title, for example. Could I edit an entire short film WITHOUT my keyboard, using only the TourBox and my mouse? And if so, would it be something I would do given the choice. Much to my surprise and delight, after an hour of customizing and testing, I was able to map the TourBox to trigger all my most frequently used shortcuts. ![]() Having tested out and configured my TourBox controller console to speed up my workflow in Lightroom and Photoshop, I knew it could do something similar for Final Cut Pro X, but similar devices I’ve used in the past have left me wanting. So, what happens when you try to edit an entire project without your keyboard? It’s the type of muscle memory that saves you a lot of time from having to hunt through layers of menus and tiny icons. You Are Only As Fast As Your ShortcutsĪs a film editor, you learn early on just how essential keyboard shortcuts are to the process. I only link to sites that I actually use and recommend myself. As an Amazon Associate, I earn on purchases on as well in the same way. ![]()
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